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The Ecstasy
2017
Feefan’s Art, Beijing, China;
The Ecstasy is the same artwork as the theme of the exhibition, the artist uses the juice of flowers mixed with seeds, mineral colors, gauze and other materials to create her art, she folded rice paper, showing a rugged but sparsely populated beauty. Zhang Yanzi introduced the wrinkled texture that resulted from her “mounted” experience, mounted extension of Chinese painting which was originally intended to be smooth, but the artist did not felt angry with the wrinkles caused by technical problems, instead she felt excited and she tried an opposite way, then magnified it “the imperfectness” to become a new tool and language.







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